Past Exhibition

Kusama in the exhibited hexagonal mirror room at Kusamaʼs Peep Show or Endless Love Show, a solo exhibition at Richard Castellane Gallery, New York.


Yayoi Kusama’s Self-Obliteration/Psychedelic World

Yayoi Kusama calls the feeling of losing the boundary between the self and the other through the obsessive repetition and proliferation of a single motif, "self-obliteration," and expresses it through various mediums in her works. This practice, which stems from childhood hallucinations, has been Kusama's signature theme since the beginning of her artistic career. In her works, the principle of repetition, reflections of mirrors, use of flickering lights, and other means of representation can make the viewers fall into a trance-like state. Such expressions of her works are reminiscent of the perception of hallucinogenic effects that characterized the psychedelic movement sweeping America, where Kusama was based, in the latter half of the 1960s. In other words, Kusama’s works invoke similarities with the visual effects of hallucinogenic drugs, inducing viewers to experience the perceptual transformations.

This exhibition focuses on the psychedelic aspects of Kusama's work and presents rich variations of her creations from different periods. It includes the premiere of her latest series of hexagonal mirrored rooms – first presented at her solo exhibition in New York in the latter half of the 1960s, as well as a film and related materials that consist of video recordings of happenings and other events. Through these showcases, this exhibition introduces Kusama's activities at that time, which were also a driving force of the psychedelic movement. The exhibition also features drawings from Kusama's early years, in which she freely depicted her internal images, as well as those created after her return to Japan, such as acrylic paintings in vivid colors, large three-dimensional works, an installation using black light, short videos, and literary work. We hope you will enjoy the psychedelic viewing experience created by Kusama's vision of self-obliteration.

Exhibition Video
Yayoi Kusama’s Self-Obliteration/ Psychedelic World is available down below.

All Artworks ©YAYOI KUSAMA
Film by Hisashi Ogawa
Music by Shinji Wakasa

L: Self-Obliteration #2 1967
R: The Return to Eternity 1988-91
W Collection (Deposit: Hiroshima City Museum of Contemporary Art)
Image courtesy of Norihiro Ueno

L: Butterfly Village 1986
R: Each and Every Wish for Peace Just Shines 2023


Saturday, April 29, 2023 - Monday, September 18, 2023


Thursdays to Sundays and National Holidays


Mondays, Tuesdays and Wednesdays


11:00 - 17:30



(including tax)

Admission Charges (including tax)

Adults: JPY 1,100 Children aged 6 - 18: JPY 600

*Children under age 6 are free.
*Group rates are not applicable.

Admission Times

①11:00 - 12:30 (Enter by 11:30)

②12:00 - 13:30 (Enter by 12:30)

③13:00 - 14:30 (Enter by 13:30)

④14:00 - 15:30 (Enter by 14:30)

⑤15:00 - 16:30 (Enter by 15:30)

⑥16:00 - 17:30 (Enter by 16:30)

Yayoi Kusama Museum has no designated waiting area for visitors arriving before the admission time. Please refrain from coming to the museum before your admission time.

All tickets must be purchased in advance online from here. Entry is timed and only valid for a specific 90 minutes time-slot. Tickets go on sale at 10 am (Japan Time) on the first of each month for entry in the month after next, and are sold through our official website until 30 minutes before the upcoming time slot starts. Tickets are non-refundable and cannot be changed.