Airmail Stickers (detail)
1962/1992
© YAYOI KUSAMA

Title

KUSAMA's POP

Dates

Thursday, April 16 – Sunday, August 30, 2026

All tickets must be purchased in advance online. Entry is timed and only valid for a specific 90-minute time slot.
Please purchase tickets in advance from here.

Yayoi Kusama’s work, with its vivid colors and striking clarity, has often been regarded as “pop.” When tracing back, this characterization reveals intersections between her work and the Pop Art movement that flourished in New York in the 1960s, where she was then based. Yet her practice is rooted in deeply personal impulses—hallucinations and obsessions—through which she layers everyday imagery with inner visions to create a distinctive artistic world.

Focusing on Kusama’s distinctive brand of “pop,” this exhibition explores the breadth of her creative output. Collages that fill the picture plane with identical printed materials, such as airmail stickers, reflect a mass-consumption society while also exposing the obsessive impulses that drove her practice. A three-dimensional work featuring a mannequin covered in macaroni likewise unites mass-produced food with Kusama’s deeply personal obsessions. This impulse toward repetition extends to self-portraits and other works featuring the artist herself, proliferating and circulating across diverse media, including prints, photographs, flyers, and exhibition posters.

In two-dimensional works produced after her return to Japan, as well as in recent large-scale paintings and sculptures, Kusama’s sensibility is clearly evident in her use of primary colors, simple outlines, and the repeated motifs that define her work. The exhibition also features a small mirror room newly unveiled to the public, in which colorful polka dots reflect endlessly, alongside an installation employing inflatable objects that enliven the surrounding space and fill it with color. We invite you to experience KUSAMA’s POP—a world energized by rhythmic repetition and an extraordinary sense of color.

L: Self-portrait 1986
R: ONCE THE ABOMINABLE WAR IS OVER, HAPPINESS FILLS OUR HEARTS 2010
© YAYOI KUSAMA

L: Dots Obsession 1996/2009
Installation view at the Bangkok Art and Culture Centre (Thailand), 2009
R: Flowers that Bloom Tomorrow 2016
© YAYOI KUSAMA

NEWS

Important Notice: Counterfeit Yayoi Kusama Artworks

We have recently detected an increasing number of counterfeit Yayoi Kusama prints being offered for sale in Japan and overseas.
Please exercise extreme caution when purchasing artworks through auctions, online marketplaces, or secondary galleries.
We strongly advise buyers to verify authenticity and make an independent determination before completing any purchase.
Please note that forged certificates of authenticity have also been identified.
The Yayoi Kusama Foundation accepts no responsibility for any loss or dispute resulting from the purchase of counterfeit artworks.
We regret to inform you that we are unable to provide any authentication services or to respond to inquiries regarding the authenticity of prints.
Yayoi Kusama Foundation

Yayoi Kusama Exhibition Sets New Attendance Record at NGV

Yayoi Kusama exhibition at NGV International in Melbourne concluded successfully with 570,000 visitors. Click here for more information.

“YAYOI KUSAMA STORE”
art goods, the official online store
of Yayoi Kusama

Yayoi Kusama’s Largest-Ever Pumpkin Sculpture on Display in Shanghai, China

Yayoi Kusama’s Life of the Pumpkin Recites, All About the Biggest Love for the People (2019) will be displayed at the North Bund in Shanghai, China, for a limited period from November 12 to November 17, 2024. Click here for more information.

Regarding on NFT works circulating on the blockchain network "KUSAMA"

Please note that the blockchain network "KUSAMA," the NFT platforms such as "Singular" that sell NFT works using the blockchain network "KUSAMA," the NFT works circulating on those NFT platforms, and any other projects related to the blockchain network "KUSAMA" have nothing to do with Yayoi Kusama. Please note that all those projects are in no way related to Yayoi Kusama, nor are they licensed by her or the Yayoi Kusama Foundation in any way.
Yayoi Kusama
Yayoi Kusama Foundation

Regarding an NFT sale case of JNCA using Yayoi Kusama's name and image of Kusama’s artwork (March 15, 2022 update)/ 關於近期JNCA使用草間彌生名義以及草間彌生作品製成NFT商品并計劃進行銷售的行爲的聲明(2022年3月15日更新)

Please be advised that Yayoi Kusama and Yayoi Kusama Foundation are in no way affiliated with JNCA (Japan NFT Culture Association). The NFT products created by JNCA using Yayoi Kusama's name and image of Kusama’s artwork are in no way associated with Yayoi Kusama or Yayoi Kusama Foundation. The copyright of the artwork used to create the NFT products belongs to Yayoi Kusama. Yayoi Kusama has never licensed or granted any kind of permission to JNCA regarding any kind of use of this artwork. Similarly, the permission to use the logo of Yayoi Kusama Museum, regardless of whole or part, has never been granted to JNCA.
Yayoi Kusama
Yayoi Kusama Foundation

敬請注意,JNCA(一般社團法人日本NFT文化協會)使用草間彌生名義及作品圖像出品的NFT商品與草間彌生及草間彌生紀念藝術財團無任何關係。JNCA計劃銷售的NFT商品中使用了草間彌生的作品的圖像,該作品的著作權歸屬於草間彌生本人。草間彌生未曾授以該作品的包括著作權在内的任何權利于JNCA進行任何形式的使用。JNCA進行的銷售及宣傳活動中部分使用了草間彌生美術館的logo,此行爲亦未經我方允許及授權。
草間彌生
草間彌生紀念藝術財團