I WHO CRY IN THE FLOWERING SEASON
2015
© YAYOI KUSAMA

Title

Yayoi Kusama: Portraying the Figurative

Dates

Saturday, April 27, 2024 – Sunday, September 1, 2024

All tickets must be purchased in advance online. Entry is timed and only valid for a specific 90-minute time slot.
Please purchase tickets in advance from here.

The sketchbooks from Yayoi Kusama’s teenage years contain numerous studies of flora and fauna, accurately portrayed with fine details. While Kusama is widely recognized for her abstract paintings characterized by the repetition of singular motifs, her early emphasis on observation and figurative depictions through sketches formed the foundation of her artistic journey, serving as a means of translating her visions and inner perceptions into figurative forms.

This exhibition focuses on the diverse trajectories of Kusama’s figurative works, spanning from the 1940s to the present day. Most artworks offer detailed and figurative portrayals of familiar motifs, such as animals, plants, and everyday objects. Works include early sketches and traditional Japanese paintings from before her move to the United States, collages that she worked on intensively from the 1970s to the 1990s, as well as prints she has been producing prolifically since 1979.

This exhibition will also display several series of paintings representative of Kusama’s more recent endeavors since 2000. Selected works that feature motifs such as self-portraits and mysterious figures painted freely across canvases of varying sizes will be showcased. These works are characterized by figurative images, such as profiles or eyes, repeated to fill the entirety of the canvas, creating an appearance that closely resembles allover abstract art. Highlighting one of Kusama’s most favored themes, the pumpkin motif, we will present an installation of the mirror room created in commemoration of the museum’s inauguration along with a separate large-scale sculpture. Moreover, the latest soft sculpture-covered boat, a concept first introduced by Kusama in the 1960s, is set to have its world premiere.

L: Onions 1948
R: Lunar Eclipse 1989
© YAYOI KUSAMA

L: O Beautiful Assemblage of Young Women's Loves and Romances O Beautiful Day Every Day With All the Beauty of All My Heart For Everyone, EVERY DAY I PRAY FOR LOVE 2021
R: PUMPKINS SCREAMING ABOUT LOVE BEYOND INFINITY 2017
© YAYOI KUSAMA

NEWS

Regarding on NFT works circulating on the blockchain network "KUSAMA"

Please note that the blockchain network "KUSAMA," the NFT platforms such as "Singular" that sell NFT works using the blockchain network "KUSAMA," the NFT works circulating on those NFT platforms, and any other projects related to the blockchain network "KUSAMA" have nothing to do with Yayoi Kusama. Please note that all those projects are in no way related to Yayoi Kusama, nor are they licensed by her or the Yayoi Kusama Foundation in any way.
Yayoi Kusama
Yayoi Kusama Foundation

Regarding an NFT sale case of JNCA using Yayoi Kusama's name and image of Kusama’s artwork (March 15, 2022 update)/ 關於近期JNCA使用草間彌生名義以及草間彌生作品製成NFT商品并計劃進行銷售的行爲的聲明(2022年3月15日更新)

Please be advised that Yayoi Kusama and Yayoi Kusama Foundation are in no way affiliated with JNCA (Japan NFT Culture Association). The NFT products created by JNCA using Yayoi Kusama's name and image of Kusama’s artwork are in no way associated with Yayoi Kusama or Yayoi Kusama Foundation. The copyright of the artwork used to create the NFT products belongs to Yayoi Kusama. Yayoi Kusama has never licensed or granted any kind of permission to JNCA regarding any kind of use of this artwork. Similarly, the permission to use the logo of Yayoi Kusama Museum, regardless of whole or part, has never been granted to JNCA.
Yayoi Kusama
Yayoi Kusama Foundation

敬請注意,JNCA(一般社團法人日本NFT文化協會)使用草間彌生名義及作品圖像出品的NFT商品與草間彌生及草間彌生紀念藝術財團無任何關係。JNCA計劃銷售的NFT商品中使用了草間彌生的作品的圖像,該作品的著作權歸屬於草間彌生本人。草間彌生未曾授以該作品的包括著作權在内的任何權利于JNCA進行任何形式的使用。JNCA進行的銷售及宣傳活動中部分使用了草間彌生美術館的logo,此行爲亦未經我方允許及授權。
草間彌生
草間彌生紀念藝術財團